A young woman raised in the South Pacific, captured by pirates. The Dey of Algiers, torn by conflicts in religion and love. Their stories intertwine.
Raised by her Scottish father and the natives of a remote island in the South Pacific, Sarah and her father embark on a perilous journey to Scotland. Sarah knew that her life would change when she left her beloved island. Never did she imagine that she would be sold into a harem. Only Hassan Aziz, the most feared pirate on the Barbary Coast can save her. But is Hassan willing to jeopardize his secret mission and risk his life and the lives of his crew to shield this intoxicating maiden from slavery?
Naa’il is the Dey of Algiers, a man who has everything including, wealth, power, wives, slaves, concubines. Drawn to two beautiful American captives, Naa’il tests their loyalty to each other. Little did he know that his game would have devastating consequences… especially for him.
“This story is quite complex, but, there is so much description of the people, times, and places, that you can almost imagine being there.” ~ Amazon Reviewer
Lucinda White is a happy-go-lucky nature child raised by a young single mother in the 1960s. In a dramatic turn of events, her wild nature is broken. She is shaped into a yuppie and becomes the wife of a prominent Silicon Valley CEO and a glamorous socialite. Successful by all accounts of external measure, she feels trapped by the shallow values of a dominant culture and ever more alienated from her true nature. Something primal awakens in Lucinda when she unearths and touches an ancient buffalo bone, and the experience impels her to secretly collect dead animal parts and learn the art of curing their decomposing flesh. As Lucinda challenges convention, her curiosity about the animal kingdom leads to wild and unlikely adventures rescuing road kill, tracking wolves, and encountering lions face to face. Confessions of a Bone Woman is one woman’s story of how she recognizes and learns to express her authentically wild nature in order to heal bone by bone and become her full self, redefining what it means to be a modern woman.
A delightful historical fantasy for the holidays, based on real events and inspired by two favorite holiday classics: A Christmas Carol and It’s a Wonderful Life
What if a reality show had real stakes?
Grayson Hartford needs a change in his life. A new documentary promises the adventure and riches he craves. All he needs to do is navigate a booby-trapped temple, collect treasure, and then escape a jungle. It seems easy enough.
Instead, he soon regrets not taking the Death and Dismemberment clause seriously. What starts as a friendly contest of skills quickly devolves into murder and no shortage of betrayals. Anything goes in the name of entertainment on “The Borrowed Faces”.
There was a reason they called it the Speckled City Whitten was just what Indira hoped for. It was a city that had banned heroes and villains, which meant no more rebuilding her home after a disaster, no more texts from her mother about how her father had been kidnapped, and no more worrying that she might be forced to become a hero herself one day. Indira soon finds out that the city holds a dangerous secret. Keeping superheroes and supervillains out of the city comes at a cost and, if she isn’t careful, she may disappear with the others.
Sargrenti is the name by which Major General Sir Garnet Wolseley, KCMG (1833 – 1913) is still known in the West African state of Ghana.
Kofi Gyan, the 15-year old boy who spits in Sargrenti’s eye, is the nephew of the chief of Elmina, a town on the Atlantic coast of Ghana. On Christmas Day, 1871, Kofi’s godfather gives him a diary as a Christmas present and charges him with the task of keeping a personal record of the momentous events through which they are living. This novel is a transcription of Kofi’s diary.
Elmina town has a long-standing relationship with the Castelo de São Jorge da Mina, known today as Elmina Castle, built by the Portuguese in 1482 and captured from them by the Dutch in 1637.
In April, 1872, the Dutch hand over the unprofitable castle to the B
ritish. The people of Elmina have not been consulted and resist the change. On June 13, 1873 British forces punish them by bombarding the town and destroying it. (It has never been rebuilt. The flat open ground where it once stood serves as a constant reminder of the savage power of Imperial Britain.)
After the destruction of Elmina, Kofi moves to his mother’s family home in nearby Cape Coast, seat of the British colonial government, where Sargrenti is preparing to march inland and attack the independent Asante state. There Melton Prior, war artist of the London weekly news magazine, The Illustrated London News, offers Kofi a job as his assistant. This gives the lad an opportunity to observe at close quarters not only Prior but also the other war correspondents, Henry Morton Stanley and G. A. Henty. Kofi witnesses and experiences the trauma of a brutal war, a run-up to the formal colonialism which would be realized ten years later at the 1885 Berlin conference, where European powers drew lines on the map of Africa, dividing the territory up amongst themselves.
On February 6, 1874, Sargrenti’s troops loot the palace of the Asante king, Kofi Karikari, and then blow up the stone building and set the city of Kumase on fire, razing it to the ground.
Kofi’s story culminates in his angry response to the British auction of their loot in Cape Coast Castle. The loot includes the solid gold mask shown on the front cover of the novel. That mask continues to reside in the Wallace Collection in London.
The invasion of Asante met with the enthusiastic approval of the British public, which elevated Wolseley to the status of a national hero. All the war correspondents and several military officers hastened to cash in on public sentiment by publishing books telling the story of their victory. In all of these, without exception, the coastal Fante feature as feckless and cowardly and the Asante as ruthless savages.
The Boy who Spat in Sargrenti’s Eye tells the story of these momentous events for the first time from an African point of view. It is told with irony and with occasional flashes of humor. The novel is illustrated with scans of seventy engravings first published in The Illustrated London News.
This book won a Burt Award for African Literature which included the donation by the Ghana Book Trust of 3000 copies to school libraries in Ghana. In 2016, at the annual conference of the African Literature Association held in Atlanta, GA, it received the ALA’s Creative Book of the Year Award.
Prof. Kwesi Kwaa Prah writes:“The Boy who Spat in Sargrenti’s War takes history out of the recesses of memory and obscurity, and expresses it in vivid and dazzling light.”
The Boy who Spat in Sargrenti’s Eye is a story for adults of all ages, both young adults and those no longer so young.